PANEL 4: WOMEN & CARRIERS OF THE DIVINE

Panel Chair: Dr. Fannie Caron-Roy

Containers of the Divine: Yoruba Deities in Art, Ritual, and Gender Roles 

SOJI Oni Akinsoji Francis 

My name is Oni Akinsoji Francis, born and raised in Oyo, Nigeria. I earned a degree in Fine Arts from Obafemi Awolowo University in 2010 and a Master’s in African Visual Art from the University of Ibadan in 2015. In 2024, I completed a second Master’s in Art History from Binghamton University, New York. I have taught art history at the undergraduate level in Nigeria and I am currently pursuing a PhD in Art History at Binghamton. 

My research focuses on the revitalization of sacred art, particularly after missionary influence led to its decline. I examine the roles of Susanne Wenger and Sangodare Gbadegesin Ajala in reviving Yoruba sacred art, highlighting how their work integrates Yoruba cosmology into modern artistic expressions. 


Dressing the Divine: Analysing Renaissance Dressing Rituals within Religious Ceremonial Frameworks

Ariel Lacombe

Ariel Lacombe is a second-year PhD student at Queen’s University studying devotional sculptures of the late medieval and early modern periods. Her research focuses on image cults, miraculous images, popular piety, and various rituals performed on sacred sculptures. She explores the cross-cultural exchange of aesthetics and religious practices between Eastern and Western Europe, examining how these influences shaped rituals in southern Italy. She completed her master’s degree at Queen’s University, where she wrote a major research paper on the Madonna del Sorriso, a significant cult image in Campobasso, Molise. Ariel is currently working with her supervisor, Dr. Una D’Elia, on a database that catalogues hundreds of Renaissance polychrome sculptures from across Italy. The database includes high-resolution images and detailed descriptions, all of which can be freely downloaded and used in publications and research.


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Panel 3: The Lens & Rewriting Time